TheWishline Editorial Shoot

The clothes came from TheWishline. I used AI to cast the models and build the scenes around each look.

A collection gives you a lot to shoot. TheWishline needed a way to try more settings and looks quickly, with the real garments as the fixed point.

I built the AI shots around the actual clothing references. I explored locations and gave each look its own moment while keeping the garments consistent across the film.

We delivered a finished ad in July 2026 that brings the whole collection together in one film and gives you a feel of luxury style.

All work